Ma/ti/om Trio + PSANCK

£6 / £5 members and unwaged

Matilda Rolfsson – bass drum & percussion
Tim Fairhall – double bass
Tom Ward – bass clarinet & flute

Tickets: https://www.wegottickets.com/event/394200

“The group as a whole hits a nice seam somewhere between out-there fire music and the chitinous hustle of free improv, leavening their dissonant scrapes with shafts of melody and warm bass twangs poking through the scrapes and hoots. There’s an airy lightness to the trio’s playing, thanks to Ward’s occasion flute invocations, which roam across these four pieces like a summer breeze over a mountainside.” – We need no swords blog

10431449_614573942009546_5475790318030054269_n

Plus

PSANCK

Kev Nickells: violin
Chris Parfitt: wind and electronics
Al Strachan: cornet and fx

Plus

The Wildcard Quartet

The Spirit Farm

£6 / £5 members and unwaged

Christophe de Bezenac: saxophone
Adam Fairhall: piano, keyboard instruments
Anton Hunter: guitar
Johnny Hunter: drums
Dave Kane: double bass
Corey Mwamba: vibes and misc instruments

spiritfarm

The Spirit Farm bring quick instincts, an impressive shared understanding and a wealth of idiomatic approaches to the music. The musicians build on the achievements of previous generations of improvisers in fascinating ways; the upside-down use of the bass bow, often heard in free improv, might be used here to beat out a haunting riff like a 21st century diddley bow, or the post-cage piano preparations so common among free pianists might here be applied to a vintage tine piano.

In addition to full-band numbers which can reach stunning climaxes, the group explore smaller combinations, such as duos and trios, ensuring a constantly varied listening experience.

“Devastatingly creative ****” – Jazzwise

“Ecstatic free jazz remains a touchstone on their 2015 debut album, but it’s in the quieter moments that the session is lifted out of the ordinary by a mischievous take on timbre and instrumentation, with gamalan-like toy piano and distorted electric keys circling taut guitar pings and the hollow rattling of saxophone pads” – The Wire

“Hugely Impressive ****” – Jazz Journal

“It’s a set that declares intent, imagination and prowess and as such promises much for the future” – New York City Jazz Record

Vid Drašler / Tom Jackson / Daniel Thompson

£6 / £5 members and unwaged

Note: this show is at The Rose Hill

Vid Drašler, Tom Jackson and Daniel Thompson met for the first time in the spring of 2016 as part of the CRAM Records residency at FriForma in Ljubljana, Slovenia. During the residency the trio had the fortune to play and record as a trio in Vrhnika, Slovenia and immediately vowed to collaborate again.

vid

Vid Drašler / Tom Jackson

Jost Drašler / Vid Drašler / Daniel Thompson

Sloth Racket

£6 / £5 members and unwaged

Cath Roberts: baritone saxophone, compositions
Sam Andreae: tenor saxophone
Anton Hunter: guitar
Seth Bennett: bass
Johnny Hunter: drums

Sloth Racket is a quintet of UK improvisers led by baritone saxophonist Cath Roberts, with Anton Hunter (Beck Hunters, Article XI) on guitar, Sam Andreae (Trio Riot, Silence Blossoms) on tenor saxophone, Seth Bennett (Metamorphic, En Bas Quartet) on bass and Johnny Hunter (Spirit Farm, Nat Birchall) on drums. The group play Cath’s compositions, combining written fragments with graphic notation to explore the balance between freedom and structure. The results range across musical territories from fiery free jazz, to minimal improv textures, to deep grooves.

‘Consider this an important contribution to the debate about spontaneity versus form.’
– Daniel Spicer, Jazzwise ****

‘The Sloth Racket sound is broadly comparable to that of Tim Berne’s Bloodcount, the mid ’90s New York quintet with the same instrumentation, or the earthier, brawnier sound of Chicago as filtered through Peter Brötzmann’s Tentet.’
– Tim Owen, Dalston Sound

‘an agreeably spicy goulash of free improvisation, grumpy riffs and bluesy themes’
– Stewart Smith, The Quietus

‘nobody in their right mind is going to call this row slothful’
– Spencer Grady, Record Collector

Martin Archer, Corey Mwamba and Walt Shaw

£6 / £5 members and unwaged

Martin Archer: saxophones
Corey Mwamba: vibraphone
Walt Shaw: percussion

This will be the first performance by these three musicians in trio configuration, although for the last few years they have all worked together in various related ensembles.

MartinMartin Archer is a composer / improviser who is equally at home on stage or in the studio. His own distinctive saxophone playing is rooted in AACM jazz. Through his use of keyboards and electronics, and as a studio producer, he extends this interest into extended song form and leftfield rock music.

He is also co-director of the uncategorisably avant choir Juxtavoices.

“Archer’s aesthetic is an intriguing and transformative one—whatever enters his world comes out changed, if not utterly, then beautifully.” – DUNCAN HEINING

His principle music work is the Discus Music label, the imprint for his various releases, notably by the groups described below.

His current jazz based projects include Engine Room Favourites (current a 4 drummer, 14 piece big band), Story Tellers (6 piece group including shaman instruments alongside the conventional instruments), plus various ad hoc smaller groups. All of these are strongly aligned with AACM tradition and teaching.

“A fantastic listen: complex, deep, yet elemental.” – FRANCOIS COUTURE

“Every project Archer touches is immediately plugged into a subterranean lava flow of great British avant practice.” – STEVE HANSON

An eclectic combination of sources and highly individual applications makes Archer a unique inhabitant of the school of English maverick composer / improvisers.

CoreyBorn and based in Derby, Corey Mwamba‘s commitment to jazz and improvised music in Britain and Ireland drives all aspects of his work, whether through composition, playing, or promoting new music.

Corey predominantly plays vibraphone; he also plays dulcimer and uses audio processing software. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music. Mwamba’s distinctive approach and tone is instantly recognisable in any context: a potent blend of pure sound, highly melodic phrases and ethereal textures; barely whispered chords and ear-piercing robotic screams. Corey won a PRSF/Jerwood Foundation Take Five artist development award in 2007; was short-listed for the Innovation category in the BBC Jazz Awards in 2008; and was nominated for "Rising Star on Vibraphone" in the 62nd, 63rd, and 64th DownBeat Annual Critics' Polls.

Walt-and-MartinWalt Shaw is a percussionist. Initially he played kit, starting in the sixties in rock and jazz, but over the years this widened into the use of home-made instruments, often made from scrap, amplified objects and low-tech electronics. An interest in playing gongs has always been there. These are bought and home-made, again from found objects. The emphasis is usually on experimentation and improvisation, always searching for new sounds, techniques, and collaborative scenarios to extend his practice.