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Rachel Musson and Olie Brice, + Incus, Malleus and Stapes

Rachel Musson is a saxophonist, improviser and composer living in London, UK. She is involved with a variety of improvisation projects, including a trio with Hannah Marshall and Julie Kjaer, a duo with bassist Olie Brice, and a trio with Mark Sanders and John Edwards who have released a recent album Bibimbap on Two Rivers Records.

Rachel also features on a trio album released this year with Pat Thomas and Mark Sanders, and a quartet album with William Parker, Daniel Carter and Federico Ughi. She plays regularly on the London and International improvised music and free jazz scene.

Olie Brice is a double bassist who may well be familiar to Safehouse regulars, having appeared previously with John Butcher, Luis Vicente and Mark Sanders to name a few. He leads two bands – a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock.

“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” – Brian Morton, Point of Departure

Incus, Malleus and Stapes

Improv trio utilising some aleatoric methods:

Alan Jackson— plays the “Electric Bullroarer” – part homemade electronics, part modular synthesizer, it is a kit of parts for exploring feedback and resonance. It uses pressure, tilt, motion, microphones and string to control its sound, usually shaping some kind of feedback process.

Marc Muir likes to use his mouth to explore the more disconcerting facets of his mind.

Simon Mclennan uses guitar and electronics to explore harmony and resonance.

Wildcard Quartet

Ivo Perelman, Phil Minton and Jean-Michel Van Schouwburg / Jonathan Higgins

Tickets: https://www.wegottickets.com/event/492492

Ivo Perelman

Born in 1961 in São Paulo, Brazil, Perelman was a classical guitar prodigy who tried his hand at many other instruments – including cello, clarinet, and trombone – before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists’ romantic bent still shapes Perelman’s voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark.

“Perelman is one of the great saxophone virtuosi and exponents of spontaneous composition to have emerged in the past three decades.” –Jazzwise

“Sax extraordinaire Ivo Perelman is one of the most advanced living practitioners of the tenor saxophone…the Brazilian-born sax master’s ability to create out of thin air has few if any peers.” – Something Else

Phil Minton

For most of the last forty years, Minton has been working as an improvising vocalist. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians.

Since the 80s, his Feral Choir, in which he voice-conducts workshops and concerts, has performed in over twenty countries.

“Phil Minton is best known for his startling vocal improvisations. On his new solo CD, this sensible looking man proffers 37 thin slices of his unfettered soul. Not long ago these croaks, burps, high-pitched exhalations, deep-throated drones and shreds of garbled half-language would have seen Minton either burnt or hailed as an emissary of God.” – Stewart Lee, The Sunday Times

Jean Michel Van Schouwburg is an improvising singer from Belgium. He is well versed in all sorts of vocalising: throat singing, overtones, yodels, mouth sounds, falsettos, multiphonics, invented languages to name a few.

Here he is in Peter Strickland’s 2012 movie Berberian Sound Studio, playing himself playing a goblin:

Jonathan Higgins

Jonathan Higgins is a sound artist and performer based in London who focuses on finding different ways of utilising noise to create music. Frustrated with the limitations of conventional digital DJ equipment Jonathan modified CD players to uncover a world of noise usually hidden within the circuitry. For the past year he has been performing ‘glitch turntablism’ with a setup of three hacked Sony Discman players and a cheap DJ mixer.

Wildcard Quartet

 

Re-Ghoster with Nate Wooley, plus Mordecoli (Ecka Mordecai and Valerio Tricoli)

 

Tickets: £10 adv / £12 on the door / £8 for Safehouse members https://www.wegottickets.com/event/522014

22 September, 2021
8pm doors

£10 advance £12 on door
@ The Rose Hill

Re–Ghoster

Nate Wooley (USA): trumpet
Valerio Tricoli (IT):  Revox tape recorder & electronics
Nicolas Field (UK/CH):  drums & electronics
Thomas Florin (CH):  piano

Re–Ghoster are a trio of pianist Thomas Florin, drummer Nicolas Field and Revox tape maestro Valerio Tricoli. The acoustic instruments are fed to tape, magnetised, digested, re-eaten, reworked and regurgitated again by the machine.
For the release tour of their amazing new record ‘Or not all’, they have invited the renowned New York experimental trumpeter Nate Wooley to join them.


Mordecoli

Mordecoli is a new duo of Ecka Mordecai on cello (Takuroku Records) and Valerio Tricoli on Revox and electronics. They had an excellent residency recording at Cafe Oto last year, and we’re very excited to hearing them play together.


Plus

Dj Fiery Biscuits

The Dinner Party Trio with special guest Stefano Luigi Mangia

16th October 2021
8pm
£7 / £5 members


Buy tickets with WeGotTickets

The Dinner Party Trio with special guest Stefano Luigi Mangia (voice) is a collective free improvising trio comprised of Anglo-Russian pianist Vladimir Miller (Moscow Composers Orchestra), Italian double-bassist Pierpaolo Martino – a founding member of avant-jazz ensembles Mondegreen and Machine3 – and British saxophonist Adrian Northover known for The Remote Viewers and London Improvisers Orchestra.

Plus performances by Simon Mclennan (guitar) and Alice Eldridge (cello).

Eternal Triangle (Trevor Watts / Veryan Weston / Jamie Harris) + Hearn Brice Fell

November 25th 2021
8pm doors
£7 advance
@ The Rose Hill

Buy tickets with WeGotTickets

Eternal Triangle

Trevor Watts / alto, soprano, composer
Veryan Weston / piano, synth
Jamie Harris / congas, percussion

Eternal Triangle play the music of Trevor Watts, compositions originally inspired by rhythmic structures from Africa and South America as well as jazz and European musical forms.

The trio is built on two duos: Veryan and Trevor first played together in Trevor’s ‘Moiré Music’ in the early 1980s and since then have had a long collaboration in the ‘Dialogues’ project where their work as open improvisers was explored together for many years worldwide. The second duo consists of Jamie and Trevor where Jamie was involved in Trevor’s ‘Celebration Band’ in the 2000s and later in a very successful duo touring worldwide and recording several CDs. The third duo with Veryan and Jamie is yet to be explored!

In July 2021 the three musicians began working together on some beautiful new pieces specifically conceived by Trevor. The development of these compositions, for instance, can happen during rehearsals or during a concert. Any player in the group can discover something new within each piece, and therefore the compositions are ever changing. The strengths of this trio are like the durable and inert strength of a triangle, where each side supports the other – ‘Eternal Triangle’. This is a music with a depth that is both expansive and honest.

TREVOR WATTS

A founder member of The Spontaneous Music Ensemble, Trevor also founded Amalgam (which included Keith Rowe) and his 1980s Moire Music Group which included Veryan Weston & Peter Knight as well as Phil Minton/Pinise Saul/Lol Coxhill many more and The Drum Orchestra (1980-1997), which involved musicians mainly from Ghana (ECM 1449 CD “A Wider Embrace”). He instigated the 35 piece collaboration with the Drum Orchestra and Teatro Negro de Barlovento (Venezuela) which toured here and also in Venezuela in the 1990’s and around the World on every continent. Other prominent musicians he’s played with include Don Cherry, Archie Shepp, Steve Lacy, Kent Carter, Rashied Ali, Steve Swallow, Bobby Bradford, Cyro Baptista and Stan Tracey.

Website: http://www.trevorwatts.co.uk https://soundcloud.com/moire-watts

VERYAN WESTON

Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by GLAA. In the ’80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet. At this time, he also first met Trevor working in his band Moiré Music which used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).

In the ’90s, collaborations with Phil Minton whom he met through Trevor’s Moiré Music included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake (with Phil, John Butcher and Roger Turner), and 4Walls with Luc Ex and Michael Vatcher. And most recently – Ways for an Orchestra commissioned by the Angelica Festival (Bologna, Italy – 2017)

http://veryanweston.weebly.com/

JAMIE HARRIS

Jamie attended the Jazz diploma course in Chichester as a singer, which was were he met the saxophonist Marcus Cummins who introduced him to the music of Trevor Watts. In 1999 Harris was given the opportunity to organise a music group made up of young musicians for a concert to be musically directed by Watts. This group continued to rehearse after said concert and it was during this first rehearsal with out a drummer in attendance that Watts handed Harris a drum and asked him to bang it. The group eventually became “Trevor Watts and the Celebration Band”, where Harris served as percussionist. The Celebration Band toured USA / Canada as well as playing several concerts in the UK and Europe. In 2003 Watts and Harris began performing as a duo, taking this project to Mongolia, USA/Canada, Mexico, The Dominican Republic and Brazil among other locations.


Hearn Brice Fell

Geoff Hearn:  tenor and soprano sax
Olie Brice: double bass
Milo Fell: drums / percussion

A new free improvisation trio led by Safehouse co-founder Geoff Hearn!

MC4 – Matt Clark, Charlotte Keeffe, Ozzy Moysey and James Edmunds

January 26th 2022
8pm doors
£7 / £5 members
@ The Rose Hill

Buy tickets with WeGotTickets

A new quartet of Matt Clark (Matt Clark Three, Caaw) on guitar, Charlotte Keeffe (Charlotte Keeffe Quartet, the London Improvisers Orchestra, Andrew Woodhead’s Pendulums) on trumpet, Ozzy Moysey (Ancient Infinity Orchestra) on double bass and James Edmunds (Daisy Chute, Tara Lily) on drums.

Their new album is called ‘Music In Unusual Spaces’, and it documents the strange feeling of coming out of lockdown, of spaces opening up, a record of the city waking up…

“The overall effect creates a dynamic sonic quality, as if a laid-back street-level musical trio were performing their own structured and improvised material but also incorporating the ephemeral swell of sounds around them…”
Jordan Penney – AllAboutJazz.com

Plus …

Yellow Door

Ruben Aaronovitch Bruce: saxophone
Luke Woolfenden: bass
Molly O’hara: vocals
Ned Peckham: drums

Exploratory rock improvisations.

Plus…

The Wildcard Quartet

Adrian Southby: guitar / wind instruments
Rachel Cohen: voice / movement
Al Strachan: cornet / electronics
Marc Muir: voice

Alex Ward solo guitar

23 March 2022
8pm doors
£7 / £5 members
@ The Rose Hill


Buy tickets with WeGotTickets

Alex Ward

We’re very happy to welcome back composer, improviser, performer and creative polymath, Alex Ward. Predominantly a guitar and clarinet player, Ward is regarded as one of the most technically accomplished performers of both free and composed music.  He has played recently as part of Pere Ubu,  and before the pandemic struck he played shows in the UK and US as part of the phenomenal This is Not This Heat.

Having had his debut record put out on Derek Bailey’s Incus label in 1990, Ward has continued to play at an astonishing level ever since. His work ranges from his formidably knotty guitar playing in avant-rock two piece Dead Days Beyond Help to his compositions-for-improvisers including Forebrace and the Alex Ward Quintet/Sextet.

His latest solo album Gated was released on Martin Archer’s Discus label – take a listen to it here: